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The Growlersworld Interviews are an ongoing quest, bringing you closer to successful and creative people in all walks of life. Rawle Austin presents... A conversation with Shannon Ward - Art has never Rocked so Hard!
Shannon Ward: My name is Shannon Ward, I work at Channel4 by day and by night I scrawl stuff on paper and make noise with my friends. See www.espada.8k.com, www.eldesconocido.com and www.myspace.com/soa. RA: You're a bit of a comic book connoisseur like myself, when did comic book art first make an impression on you? SW: Yes, I love comics and have read comics in one form or anther for most of my life, but the first time I was totally grabbed was picking up an old issue of Batman drawn by Norm Breyfogle (great for his time, shit now - sorry Norm!) and that was me hooked, started spending all my damned paper round money on comics.
Every time I do a new story I always try a new process, be it the drawing technique or the colouring process/style, it’s the part that motivates me to finish the thing. If it's someone else’s story, it goes like this: character sketches, rough layouts of a few key sequences, full layouts, final drawing of characters and final drawing of backgrounds. Then I scan the lot in, tidy up the drawings, colour everything and then add final touches and text, then I go and have a large pint of whiskey and never look at it again.
3 - John Cassady (love his gritty detailed style) 4 - Frank Quietly (he’s a bit of a whore, but I love his unusual chunky style) 5 - Bryan Hitch (wouldn’t always make my top 5 but I have just finished reading ultimates 2)
Don’t
ever copy comics, draw from life, learn anatomy, and then develop your
style from there. SW: Erm, nothing much, just worldwide fame and endless riches. Or to get something published by one of the ‘big guns’.
We thought ‘fuck we should start a band’ so we did. He bought a guitar, I bought a bass, we practiced for ages, learning/copying entire albums of music, I think we did this for a few years. Then we needed a singer, Ian knew someone from art college who wanted to sing, so we auditioned him and he was fucking awful, meanwhile Ian’s classmate Simon was hanging out with us a lot, so it natural for him to do it really, and he was great! (We were called ‘Concrete Worm'’ back then).
RA: How often do you and the guys practice? SW:
Once a week generally, sometimes more when we are gigging, sometimes less
when we aren’t.
2 - Weezer (brilliant pop songs, can always cheer me up) 3-
A Perfect Circle or Tool (just amazing musicians and incredibly structured
songs)
SW: Easy, Mr Mike Patton, check for yourself via the
wonder of Wikipedia!
SW:
Ah, that would be my younger brother, we grew up playing East Asian console
games together and via that we got sucked into the culture, and then the
films.
SW: My current three: 1- Oldboy (just an amazing film, almost perfect, Choi Min-Sik is a god!) 2- Infernal Affairs (Andy Lau and Tony Leung at the top of their game and beautifully directed too).
3- Fallen Angels (Wong Kar Wai, nuff said). SW: 1- Tony Leung (amazing, faultless in almost every movie, gave ‘Hero’ its heart and perfect in ‘In the mood for love’). [Below picture from '2046']
2- Choi Min-Sik (amazing scenery chewing madman, never boring to watch)
3- Maggie Cheung (to go from the poppy excess of Jackie Chan’s ‘Police
story’ to classy Oscar worthy actress in ‘In the mood for
love’ is amazing)
SW: Has to be Park Chan-Wook at the moment, I cannot
fault his films, very dark, totally original, perfectly directed, and
always surprising.
SW: They push the boundaries more than US movies, their
films are more interesting and totally different due to the culture differences,
and they can direct a decent fight scene too. SW: Not really, sorry!
Bob Harris - Appreciating the Wonder of Creativity> <Lu Qinming - Introducing China to the World
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