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Learn about Superhero Comic Books...  

Growler on Superhero Comic Books >

INDEX

< Action and Adventure!... | Winking in the Dark... >

I don't pretend to know everything about superhero publishing, but what I do know I will share with you in this column.

Celebrating the superhero fiction found in comic books and graphic novels, old and new, highlighting favourite characters, creators and showing you the beauty of the form!

So here goes.

Rawle Austin presents...

Just imagine

Comics (or comic books) are limited by one thing alone.

Imagination.

Anything is possible and the end result is a thing of beauty that you want to read and re read often.

It is an addition to books, magazines and other forms of written entertainment and you also get original artwork by the artist (or penciller) in their own drawing style.

You see, compared to many established comic characters, superhero comics do not have a fixed look.

The Simpsons or the Disney characters have to look exactly the same whenever they are drawn.

Not so in superhero comic books.

   

Click here to check out Godland Volume 1: Hello, Cosmic! (Image Comics) by Joe Casey and Tom Scioli

Pencillers are free to draw that character in their own style, which brings a uniqueness and freshness to the medium.

That is one appeal of superhero comic books that along with great story you get fantastic artwork as well.

All the creators get credited for their work.

There will be some random links to popular artists throughout this article. You will see the differences in each of their styles.

There are plenty of talented pencillers (artists) out there and each gives a character a different look and style.

You can sometimes see two or three different titles for one character out at the same time.

This gives readers a choice of art styles and story content because a different writer will be used for each title.

This has the potential to confuse because if you’ve just seen the Spider-Man movie you may want to check out a Spider-Man comic.

You'll quickly find out there is more than one! One thing to do is find an art style you like.

   

Click here to check out Justice: Volume 3 (Justice League of America) (DC Comics) by Alex Ross, Jim Kreuger and Dougie Braithwaite

Good writers are pretty standard now.

Everyone has their own taste and most readers are quite loyal to their favourite artists.

There are three main types of art found in comic books and I would describe them as realistic, cartoony and fully painted.

The majority of comic book artwork is a combination of realistic and cartoony.

The best painter in the business at the moment is Alex Ross whose work includes Marvel Comics' Marvels and DC Comics Kingdom Come.

As a massive comic book fan growing up in London in the Eighties, studying 'O' and 'A' levels (the exams needed before you could enter University), I really enjoyed following the adventures of Ororo Munroe, better known as Storm of the X-Men (written by Chris Claremont).

I also enjoyed reading the stories of Monica Rambeau, in her secret identity of Photon (then called Captain Marvel) of the Avengers (written by Roger Stern). See below picture.

Both Marvel Comics characters, they kicked ass and both were leaders of their respective teams. Storm had the ability to control the weather and Photon could transform into any form of electromagnetic radiation and project it as well.

Click here to check out The Avengers: Under Siege (Marvel's Finest) (Marvel Comics) by Roger Stern and John Buscema

   

In detail, Photon could convert her body to light, heat, microwaves, hard radiation, neutrinos, holographic images, a laser beam and many other forms.

Assuming the speed, composition and properties of each while preserving her human consciousness.

They are both powerful characters, now sadly underused, and both have the potential to hold their own titles with the right creators.

Photon, now called Pulsar, is a part of the Nextwave team created by Warren Ellis and Stuart Immonen.

The Storm character shown in the recent X-Men movies showed just a fraction of the power she possessed in the actual comic book and exposed the current limitations of films over comic books.

Comic books are a unique blend of action adventure, character moments and mind blowing concepts with limitless potential that are only just beginning to be shown on the big screen.

It can be argued that the science inherent in these concepts is flawed but that’s why it’s called science fiction.

The golden rule within comic books is that anything can happen.

Anything.

All that’s needed to explain it is a believable grounding in reality.

   

Click here to check out Uncanny X-Men - The New Age Volume 1: The End Of History TPB (Marvel Comics) By Chris Claremont and John Byrne

That is the beauty of escapism.

It’s just a little bit removed from the world we inhabit everyday.

The various comic book universes i.e. the Marvel Universe, DC Universe etc are as far removed from everyday monotony and routine to give us a break in the same way as films, TV, books and computer/console games.

A good story must be grounded in the real world so as to give the reader something to relate to.

That is why many are based in fictional versions of real cities and towns. Many of the Marvel Comics characters are based in and around New York, USA!

Actual places and landmarks are used in the comics, which make the stories more accessible.

This idea can work anywhere in the world and I would personally love to see a concept as wild as the X-Men set in and around London.

This premise, I believe, would be massive if researched well. A lot of people are baffled by the layout of comic books and for a first timer this can be quite confusing.

Click here to check out Captain Britain TPB (Marvel Comics) by Alan Moore and Alan Davis

   

Hard to read comic books are the result of a breakdown in communication between all the creators.

A comic book should be clear and simple for maximum enjoyment.

A comic book page should be read, panel by panel from left to right working your way down the page.

   

Click here to check out Batman: Hush TPB (DC Comics) by Jeph Loeb and Jim Lee

Click here to check out The Ultimates volume 1: Super-human TPB (Marvel Comics) by Mark Millar and Bryan Hitch

Click here to check out JLA/Avengers (Marvel Comics/DC Comics) by Kurt Busiek and George Perez

The writing in the panels themselves (including sound effects) are also read from left to right, top to bottom.

Too much writing in a panel slows down the pace of the read and can start to bore the reader.

Similarly, artwork that is very detailed also slows down the read as the reader is admiring every detail.

The trick is to achieve a balance so that the story flows, not too fast and not too slow.

When comic book titles are promoted, the first two accompanying names usually belong to the writer and the penciller, the main creators of that title.

I will leave you with information of two great reads.

The first being Marvel Comics’ The Ultimates by Mark Millar and Bryan Hitch and also Batman:Hush by Jeph Loeb and Jim Lee, both available in trade format.

Certain artists gain large fan followings whatever comic book title they draw because their style is much loved and instantly recognizable.

Here (above) is a showcase of artwork of three current 'top' artists according to Wizard Comics Magazine; Jim Lee, Bryan Hitch and George Perez.

Click here to check out Wonder Woman: The Circle TPB (Marvel Comics) by Gail Simone and Terry Dodson

 

You will see the marked differences in their styles.

Compare these to the classic style of the late Jack Kirby who inspired many of today's artists including Tom Scioli who pencils Godland from Image Comics (See first picture above).

And that's the power of imagination.

Well, that’s it for this installment.

See you next time!

 

< Action and Adventure!... | Winking in the Dark... >

 

 

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